Copyright © 2015 Tsai Kuenlin. All rights reserved
By reimagining and modifying the objects, the artist intends to remind us of our urges and abilities to reconstruct. The noise, collected in Nakanojo, aim to permeate audience’s understanding of this specific space through auditory experiences. As the displayed objects and the noises are a record that help recreates the existence of the said region, it is suggested that the spectators and the Nakanojo locals alike to experience this place in a different way through this site-specific work. Through this work we examine cultural aspects attached to these noises and object, which promotes the reidentification of this land’s history, so much so the evocations of a fantastical memory transcends its physical locality.
This artwork is the first collaboration between Yung-ting Hung and Kuen-lin Tsai. Starting from the concept of moving based on their international residency experience, they used “wheel” to represent this concept. Collecting the objects and sounds from the abandoned temples (三十三觀音), through the method of re-combining, the artists tried to bring the audience some new perception and ideas about the places. Objects and sounds can be treated as the metaphors of the internal spirit and external appearance of the places, hence, the audience and the local residents can get some new experience and know about the history for this land again through this artwork, even can create a traceable wonderful memories.
想像を巡らし手を加えることにより、
